Chambers' fifth generation of Pixelscapes takes on a kinetic identity through the utilization of the lens applet. PFG-2 is shown to the right, and allow your vision to play on both fields (background and simulated foreground via magnification and movement) to establish a relationship - distant and close - between the two. It's also interactive by placing the cursor on the lens and moving it about for closer study. Other examples/links follow:
Since Pixelscapes are Minimal Art, as you look through the lens, you're glimpsing a Minimal World - in the same sense astronomers glimpse through their telescopes to see another Minimal World: the Universe.
Pscan Derivatives [PFG-2] (group show: Beijing Film Academy and Zhaoqing University) Today Art Gallery, Beijing, China, November 4 - 10, 2005.
Note: Part of the Rhizome ArtBase. Founded in 1999, the Rhizome ArtBase is an online archive of new media art containing some 1600 art works, and growing. The ArtBase encompasses a vast range of projects by artists all over the world that employ materials including software, code, websites, moving image, games and browsers to aesthetic and critical ends.