Just Words
This project pays tribute to the Native Americans (American
Indians). The namesake, "Just Words", is a play on the "White man's" broken promises, and the words seen as a part of the art reflect Tom R. Chambers' emotional states or reactions to the
mistreatment and near annihilation of the indigenous population by his ancestors. He hopes to begin to find closure for his haunted existence with this attempt as a political statement through the Arts.
The images of the Native Americans are from the Edward Curtis Collection at the Library of
Congress, which are now a part of the public domain. Of his own photographs Curtis said, "Rather than being designed for mere embellishment, they are illustrations of the Indian character or of some vital phase of
existence." Chambers hopes that Curtis also had similar emotional states as he got caught up in The North American Indian Project
to depict "all features of Indian life and environment - the young and the old, with their habitations, industries, ceremonies, games, and everyday customs."
Chambers considers "The North American Indian Project" heavy irony - the last nails driven into the coffin of a culture that was pushed aside and in some cases done away with. In his opinion, it was an attempt by the "White
man" - involving prominent figures at the time such as J. Pierpont Morgan (Curtis's financier),
Frederick Webb Hodge (one of the period's leading authorities on Native Americans), and even President
Theodore Roosevelt (wrote a foreword in which he praised Curtis' powers of observation) - to gloss over the demise of the great overlords of the
North American continent, and showcase the remnants of a broken society. |
Sings in the Mountains [Edward Curtis, c1905], Library of Congress no. 54. | |
Big Head [Edward Curtis, c1905], Library of Congress no. 91. | |
Head Carry [Edward Curtis, c1900], Library of Congress no. 92. | |
Ox Sue [Edward Curtis, c1903], Library of Congress no. 27. | |
Chideh, Apache [Edward Curtis, c1903], Library of Congress no. 33. | |
Heavy Shield [Edward Curtis, c1900], Library of Congress no. 24. | |
Three Horses [Edward Curtis, c1905], Library of Congress no. 96. | |
Sitting Eagle [Edward Curtis, c1905], Library of Congress no. 56. | |
Cha Cah Tana [Edward Curtis, c1903], Library of Congress no. 26. | |
Pio Pio, Maksmaks, Wallawalla [Edward Curtis, c1905], Library of Congress no. 59. | |
Ben Long Ear [Edward Curtis, c1905], Library of Congress no. 90. | |
Black Hair [Edward Curtis, c1905], Library of Congress no. 57. | |
Gennetoa, Apache [Edward Curtis, c1904], Library of Congress no. 12. | |
Chino [Edward Curtis, c1903], Library of Congress no. 38. | |
Yo Shona [Edward Curtis, c1903], Library of Congress no. 30. | |
Weasel Tail, Piegan [Edward Curtis, c1900], Library of Congress no. 25. | |
Wife of Ow High [Edward Curtis, c1905], Library of Congress no. 88. | |
Cheyenne girl [Edward Curtis, c1905], Library of Congress no. 63. | |
Que Que Tas [Edward Curtis, c1905], Library of Congress no. 64. | |
Tah It Way [Edward Curtis, c1905], Library of Congress no. 93. | |
Chief Garfield, Jicarilla [Edward Curtis, c1905], Library of Congress no. 48. | |
Mis Se Pah [Edward Curtis, c1903], Library of Congress no. 43. | |
Curley, Apsaroke [Edward Curtis, c1905], Library of Congress no. 52. |